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Dre (Corey Hawkins), and Eazy-E (Jason Mitchell), in addition to the lyrical and producing talents of MC Ren (Aldis Hodge) and DJ Yella (Neil Brown, Jr.), N.W.A.
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Featuring the lyrical talents of Ice Cube (O'Shea Jackson, Jr., son of Ice Cube and a spitting image of his father), Dr. was a rap group predicated on detailing their harsh reality and controversial opinions in a brutally honest manner. Comprised of five talented, street-smart young men, N.W.A. This portrayal only fits that of N.W.A.'s music and character. It hits us in the face and stomps on the audience hard, as if its strapped with brass knuckles and decked out in the latest Nikes, portraying the race relations in Los Angeles as they were - ugly and disgraceful. is to get us angry at the injustice that occurred in the 1980's and 1990's and remind us that this kind of hate still frighteningly occurs today. Gary Gray's biopic on the acclaimed, pioneering rap group N.W.A. I may not have ever experienced racial injustice in my life, but I was at least aware of racial double standards at a young age. Songs like "Straight Outta Compton" and "F*** the Police" were ingrained in my head, and I remember especially finding telling social relevance in the line, "searchin' my car, lookin' for the product - thinking' every n**** is sellin' narcotics" from the latter song despite being so young. My mother would play one of her brother's personally mixed CDs, filled with novelty songs, parodies, and vulgar rap songs I probably shouldn't have been heard at such a tender age, in car rides with me. Some casualties in this regard were the death of Dre’s younger brother, a split-second moment that only touches upon the tension between East and West coast rappers Dre meeting his future wife, Nicole E’s physical deterioration and even one lighter but random moment where we see Cube working on the script for Friday in the background.Even as a white kid from suburbia, I remember being exposed to the exhilarating and raucous sound of N.W.A. There’s a lot of story that needed to be pushed out in two-and-a-half hours, but rushing through the material leaves little opportunity to explore more emotionally charged moments in these men’s lives.
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is formed and the guys are signing with their first record label, Priority Records, the film devolves into a series of quickly shifting scenes woven in between a few too many montages that involve parties, half-naked (and some fully naked) dancing women, and clowning around making records.
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However, it eventually stumbles against a flood of information. remains relatable as Dre puts the idea in E’s head to invest money in their music and “reality raps,” as they call it. watches footage of a black man brutally beaten by a gang of police officers in the streets, we (in 2015) are dealing with the aftermath of events surrounding people like Sandra Bland. This struggle draws a direct line to the present day. The film is at its best with moments like this one, moments that encapsulate what life was like for these kids trying to survive not only the police but also gang violence and the harsh realities that come with wanting more than what life thrust upon them. However, it quickly turns into a frantic, acrobatic escape as armed police tear a hole through the home with an armored car and battering ram. He pounds on his cousin’s door to settle a dispute about drug money, and it’s clear that things are about to get heated.
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The film opens with Eazy-E, aka Eric Lynn Wright. That is not an easy task, but you can tell, despite its faults, that audiences will easily invest themselves in this story.įor one, Straight Outta Compton begins and ends on high notes, though it loses its way in the middle. Gary Gray (the man behind Ice Cube’s Friday) and his team of writers chose to address all of this in one film. As a colleague remarked while exiting the screening, you could make an entire trilogy of films out of this backstory alone - one focusing on how the group formed during the violent climate of Compton, California one about splitting off to pursue solo ventures and perhaps a third about Eazy-E’s struggle with and eventual death from AIDS. It’s more impressive, too, when you consider the implications of something like Straight Outta Compton, which is about the rise and fall of N.W.A. Though these guys have been building up their resumes for some time, they’ve been waiting for their scene-stealing roles. His co-stars, especially Hawkins as Dre and Mitchell as Eazy-E, are not to be overshadowed, either.